MARIA SONEVYTSKY

Professor Sonevytsky’s research focuses on post-Soviet Ukraine, where she has pursued interests including folklore revivals after state socialism and the effects of the Chernobyl nuclear disaster on the revival of rural musical repertoires. In 2011, to commemorate the 25th anniversary of the Chernobyl nuclear catastrophe, she founded the Chernobyl Songs Project: Living Culture from a Lost World, a public ethnomusicology program that sought to broaden awareness about the cultural impact of nuclear disaster by reviving ritual song repertoires from rural communities near the accident site that had dispersed after 1986. The project culminated with multimedia performances in four cities and a Smithsonian Folkways recording. She is the author of Wild Music: Sound and Sovereignty in Ukraine (2019), winner of the Lewis Lockwood Award from the American Musicological Society; journal articles in Music & Politics, Public Culture, The World of Music, and Journal of Popular Music Studies; and several book chapters. Other areas of interest include critical organology, the science of musical instruments; and Soviet children’s music. Sonevytsky is also an accordionist, vocalist, and pianist. She taught at Bard for several years beginning in 2014 and then taught in the Music Department at the University of California, Berkeley.

BA, Barnard College; PhD, Columbia University; postdoctoral fellowships at Harvard Ukrainian Research Institute and University of Toronto. At Bard: 2014–2017; 2021–